Omnisphere 2.5 includes a stunning new 'Hardware Library' with over 1,000 new patches created by Eric Persing and the renowned Spectrasonics Sound Development team. Each hardware profile has a corresponding set of sounds in the Hardware Library which were specially designed using that hardware synth as an Omnisphere controller. At the 2019 NAMM Show, Spectrasonics introduced Omnisphere 2.6. On1 photo 10 0 2241. Here's a quick overview and demo. Hides 3 0 1 – keep a squeaky clean workspace. From Synthtopia's 2019 NAMM Show coverage: https://www.synt.
Spectrasonics Omnisphere 2 V2 6 1c
Spectrasonics Omnisphere 2.6
• Now includes over 14,000 inspiring sounds for all types of music production
• Ground-breaking Hardware Synth Integration allows hands-on control of Omnisphere
• Audio Import - Use your own audio file as a soundsource
• State of the Art Arpeggiator with many unique features
• Over 500 DSP Waveforms for the Synth Oscillator
• Sound Match™ feature instantly locates any related sounds in the library
• Hardware Library with distinct ‘classic analog' flavor
• Powerful Granular Synthesis for amazing transformations
• 58 incredible FX Units, which are fully integrated and can be modulated
• Creative 'Psychoacoustic' sounds from the renowned Spectrasonics sound design team
• Sound Lock™ feature gives endless useful variations by locking sound aspects while browsing
• Wavetable Synthesis - Each waveform is a Morphing Wavetable
• ORB circular motion interface allows infinitely-shifting variations
• Deeper FM/Ring Modulation capabilities for aggressive timbres
• Dual Filter architecture includes more than 34 Filter algorithms in series or parallel
• Performance-oriented Live Mode allows for seamless patch layering on the fly
• Flex-Mod™ modulation system allows powerful, modular-style matrix routing
• Stack Mode interface allows for complex patch-layering, splits, and crossfades
• Up to 20 oscillators per patch can be either DSP synth or sample-based
• High Resolution resizable Interface with 'Zooming' into deeper synthesis levels
• Polyphonic Timbre Shifting/Crushing, Waveshaping and Reduction
• Eight full-featured LFOs per patch, with syncing and complex waveforms
• Twelve Envelopes with both simple ADSR-style or advanced multi-breakpoint interfaces
• Easy Sound/Project Sharing for collaborators and third-party libraries
• Sample-based soundsources can be processed with synthesis features
…and much, much more!
• Ground-breaking Hardware Synth Integration allows hands-on control of Omnisphere
• Audio Import - Use your own audio file as a soundsource
• State of the Art Arpeggiator with many unique features
• Over 500 DSP Waveforms for the Synth Oscillator
• Sound Match™ feature instantly locates any related sounds in the library
• Hardware Library with distinct ‘classic analog' flavor
• Powerful Granular Synthesis for amazing transformations
• 58 incredible FX Units, which are fully integrated and can be modulated
• Creative 'Psychoacoustic' sounds from the renowned Spectrasonics sound design team
• Sound Lock™ feature gives endless useful variations by locking sound aspects while browsing
• Wavetable Synthesis - Each waveform is a Morphing Wavetable
• ORB circular motion interface allows infinitely-shifting variations
• Deeper FM/Ring Modulation capabilities for aggressive timbres
• Dual Filter architecture includes more than 34 Filter algorithms in series or parallel
• Performance-oriented Live Mode allows for seamless patch layering on the fly
• Flex-Mod™ modulation system allows powerful, modular-style matrix routing
• Stack Mode interface allows for complex patch-layering, splits, and crossfades
• Up to 20 oscillators per patch can be either DSP synth or sample-based
• High Resolution resizable Interface with 'Zooming' into deeper synthesis levels
• Polyphonic Timbre Shifting/Crushing, Waveshaping and Reduction
• Eight full-featured LFOs per patch, with syncing and complex waveforms
• Twelve Envelopes with both simple ADSR-style or advanced multi-breakpoint interfaces
• Easy Sound/Project Sharing for collaborators and third-party libraries
• Sample-based soundsources can be processed with synthesis features
…and much, much more!
